jonas kaufmann ténor

Combining a wondrously mellow tone with huge, apparentlyeffortless power and control, he is always a joy to see and hear. German tenor Jonas Kaufmann is an opera singer and recitalist known for his outstanding technique and remarkably charismatic performances, who is equally at home in the leading roles of the German, French and Italian operatic repertoire and the intimate settings of German Lieder. He has a supernatural ability to communicate in a confidential manner the subtleties of a musical language whose life is a melismatic journey through words and syllables involved in variations of tone, almost imperceptible accents and highly complex phrasing rhythms. At the CLF I just had to stand there and mime for five minutes. "Superstar tenor Jonas Kaufmann is the type of man your mother warned you about. The evening ended on a very light note with the encore "Libiamo ne'lieti calici" from La Traviata, where Sonya Yoncheva suddenly found herself accompanied by three Alfredos and conducted by two maestros.I am so very sorry not to have been able to come to Paris to sing Tosca for a public so very special to me. He brought total conviction to the first act Improvviso, capturing the revolutionary poet’s youthful ardour, while the virility of attack in his defiance of the court in act three was simply electrifying. When I listen to Wagner, this is how I dream it should sound.

Puccini’s 'Recondita Armonia' from 'Tosca' breaks the ice and after its final note the audience applaud in rapture, realising he is everything we have heard about and more. "Don't miss the revival of Otto Schenk's production of "Andrea Chenier". He sings with dark colorings, melting warmth, virile intensity and powerful top notes.

He has an ideal sparring partner in Marlis Petersen’s flirtatious, tigerish Marietta.Paul's role is tailor-made for Jonas Kaufmann, on account of his vocal and expressive affinity.Welch ekstatischer Abend; welche Kraft der vokalen, orchestralen, szenischen Verführung! His striking looks make him very much the Romantic and romanticised outsider of Giordano’s vision. Kaufmann embodies the part perfectly. After "E lucevan le stelle" the applause was so enthuasiastic and enduring that Jonas Kaufmann and conductor Mikko Franck had to repeat the aria. ""Kaufmann’s tenor voice is transparently clear with honeyed tone and the most beautifully burnished finish. Freeman-Attwood, Jonathan (April 2003). It certainly has something to do with the hustle and bustle of the world we live in that many people nowadays find it alarming when a singer takes a somewhat longer break after an illness. The aria proper started daringly pianissimo, rising to a heartrending 'Leonora mia, soccorrimi' and a glorious 'Pietà del mio penar!' ""Standing ovations don’t come much more passionate than the 20-minute one (including three encores) that met German tenor Jonas Kaufmann at the end of the first of his three Australian concerts at the Sydney Opera House Concert Hall. ""Timely as Umberto Giordano’s opera is, it’s rarely performed, as the taxing title role demands an exceptional tenor. Needless to say, the promoters will continue to monitor the development of the COVID-19 pandemic and its ensueing restrictions or bans in regards to public concerts closely. It demands far more detailed work than any other vocal discipline, more colour, more nuances, a greater range of dynamics and a more subtle approach to the music and words.And if there is an acid test for any lieder singer, it is undoubtedly Schubert’s Winterreise, a cycle of twenty-four settings of poems by Wilhelm Müller that is generally regarded as the pinnacle of lieder singing, a sequence of songs as thrilling for listeners as it is for the performer. Sein baritonales Timbre, seine Gestaltungskraft, seine Phrasierungskunst, seine fabelhafte Höhe – all das passt perfekt zu dieser anspruchsvollen Rolle. […]You can see Jonas Kaufmann at Carnegie Hall in New York on October 5 with his concert For anyone who missed the concert at the Waldbühne or just wants to see it again, there are a few possiblities to do so.The German TV channel 3Sat will show the concert on September 15th at 8.15 pm.You can also see it in cinemas in the UK & Ireland on August 30th. People simply took the time they needed for everything, and in particular to allow the healing process to run its full course. After an absence of six years, German tenor Jonas Kaufmann returns to the stage in Neuve for an extraordinary recital at the end of an overwhelming season cut short by the pandemic. According to the results of my latest medical examinations, I am now well on the way to recovery, and so I will be able to resume my activities from the beginning of July. He made you feel as if you understood even more than the words, as if you understood worlds when mainly you were listening to a foreign tongue, written by a composer of 70 years before, writing from within a worldview that hardly now exists. A must-see event for Jonas Kaufmann fans everywhere. „Es gibtseit Plácido niemanden, der die Freiheit und Breite des Repertoires von Jonas hat“, sagte Pappano dem „Telegraph Magazine“.Kaufmann has done nothing better than this charismatic Des Grieux at the Royal Opera and his dark, brooding tenor sings with unstinting passion and vocal freedom.His singing, which seems to gain in weight and richness every time he appears here, is exceptional.Puccini declared that he composed Manon Lescaut “with a desperate passion”.

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