opéra la traviata 2020

Violetta a fini par céder à l’amour d’Alfredo et s’est réfugiée avec lui dans sa maison de campagne. Rigoletto vents his rage on them and demands his daughter back. Passion, however, is the  over- riding sentiment of the dramatic final scenes.Gabrielle D’Annunzio said that Un Ballo in Maschera was “the most melodramatic of all operas”.

Entracte

Tangled up in the thrill of witnessing a historic interpretation of an iconic work comes the sad realization that you may never encounter its equal.The Metropolitan Opera has seen a number of superb sopranos appear as Violetta Valéry in the past decade: Diana Damrau, Natalie Dessay, Sonya Yoncheva, and Angelina Gheorghiu are just a handful of the most recent leading artists to make a mark in La Traviata’s touchstone role.The sensational performance that Lisette Oropesa gave on Wednesday night in her role debut at the Met deserves to be counted in the very first rank.Oropesa brings a voice ideally suited to the role: direct and lively, bright yet round, so focused you can almost see it as it pierces through the air of the auditorium and slams into the back wall. Musique : Giuseppe Verdi.

Par Ils quitteront Paris à nouveau et elle recouvrera la santé. Elle s’apprête à écrire une lettre d’adieu à son amant. Karel Mark Chichon and Bertrand de Billy conduct one of opera’s greatest scores.Major additional funding from Mercedes T. Bass, Mr. and Mrs. Paul M. Montrone, and RolexLisette is interviewed on Living the Classical LifeLisette presented this year's MONC finals and contributed to the first increase in prize money since 1998.Lisette is nominated for best female singer for the 2020 International Opera AwardsLisette Oropesa on the cover of InRegister Magazine for February 2020Lisette is on the cover of Opéra Magazine for February 2020Lisette is interviewed in Revista Arcadia for her upcoming Live in HD performance of Manon at the Metropolitan OperaLisette is interviewed by the Metropolitan Opera for her upcoming performances of MANON and La TraviataIn Act I, when Violetta, a charming courtesan, is throwing a lavish party, a soprano must summon flights of coloratura brilliance and coquettish sparkle. The entire team of the Teatro Real, as well as the artists and the Titular Choir and Orchestra, take on the challenge with an enormous sense of responsibility, a lot of imagination and a great enthusiasm for taking another step towards the normalization of artistic life, encouraging the public and to the citizens to face with courage and positive spirit the new reality in which we find ourselves.The stage director Leo Castaldi has devised a semi-staged concert version, in collaboration with the light designer Carlos Torrijos and the technical team of the Teatro Real, using elements of props, costumes and characterization from the back of the theatre.Ópera en tres actos.

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