mozart ivo van hove

In Paris, Mr. van Hove hasn’t fundamentally rethought how we hear Mozart or the “Giovanni” libretto, the way he has with the plays of Arthur Miller and Tony Kushner.
Here, the Commendatore doesn’t even have a weapon: Don Giovanni simply pulls out a gun and casually shoots him. Instead, she just stands there, eyes scared but body language calm, as the uniformed men take Gilda away. In the libretto, her father, the Commendatore, challenges him to a duel and is killed. Between 1990 and 2000 … Sher’s production places Verdi’s opera in Weimar-era Berlin and features, from left, Corinna Scheurle as Giovanna, Mr. Maltman as Rigoletto and Nadine Sierra as Gilda. DON GIOVANNI de Wolfgang Amadeus Mozart, en accès gratuit, du 23 mars dès 19h30 et jusqu’au 29 mars 2020: Philippe Jordan, direction / Ivo van Hove, mise en scène (production 2019, reprise)… NOTRE AVIS. With few interventions, his production — capably conducted by Philippe Jordan and wonderfully sung, particularly by the soprano Nicole Car as Donna Elvira — even comes off as a little safe, until its arresting ending.Like many of Mr. van Hove’s productions, this “Don Giovanni” is populated by beautiful people prone to desperation and violence. The styles are vaguely mid-20th-century Italian, but with the sleekly modern sexiness that runs through Mr. van Hove’s work.

The other men are worth as much scrutiny as Don Giovanni, the production argues, teasing out the pushy paternalism of Don Ottavio, the class-anxiety machismo of Masetto and the guilt by association of Leporello, endearing though he may be. (Jan Versweyveld, Mr. van Hove’s longtime collaborator, did the scenic and lighting designs).The set is a deceptively simple trio of unfinished concrete buildings with labyrinthine colonnades and staircases out of Piranesi, but also the disorienting forced perspective of There’s no color, really, not even in the costumes — for the most part black, white and shades of gray. Rehearsals f... Gimnazija Kranj Symphony Orchestra I get all sorts of mail, people sending my information on concerts and recordings. Think of what a psychologically acute director like Dmitri Tcherniakov — whose intensely intimate “Gilda is sung by Nadine Sierra, a rising Met soprano who sounded more controlled and sensitive than ever, offering a delicately spun “That “Caro nome” comes right before what may be the finest touch in Mr. Sher’s production, and the clearest nod to the societal complicity Grosz observed in his most alarming paintings. And you can expect opera to occupy more of his time in New York: In addition to “Don Giovanni,” the Met has ordered productions of Jake Heggie and Terrence McNally’s “Dead Man Walking” and Weill and Brecht’s “Rise and Fall of the City of Mahagonny,” which premieres at the In Paris, Mr. van Hove hasn’t fundamentally rethought how we hear Mozart or the “Giovanni” libretto, the way he has with the plays of Arthur Miller and Tony Kushner. (Particularly in the case of Donna Anna, who insists on not marrying Don Ottavio for another year, if at all. Then Giovanna quietly leaves the house and goes about her night.In that one moment, Mr. Sher has already done more for “Rigoletto” than Mr. Mayer ever did with his showgirl spectacle.Through June 29 at the Berlin State Opera, Berlin; The Met Opera’s Brighter Future Is Onstage in EuropeA scene from a new production of “Don Giovanni” directed by Ivo van Hove for the Paris Opera and, later, the Metropolitan Opera.Nicole Car, left, as Donna Elvira and Philippe Sly as Leporello.Christopher Maltman, left, sings the title role in Bartlett Sher’s new production of “Rigoletto” at the Berlin State Opera.Mr. Sur la scène de l’Opéra Garnier, voici une lecture de DON GIOVANNI (Prague, 1787), bien peu poétique.

Stephane Lissner a-t-il fait un cadeau à Ivo van Hove en lui confiant Don Giovanni sur la scène même où Michael Haneke proposait en 2006 une version du chef d’œuvre de Mozart entrée depuis dans l’histoire ? That climactic scene is rendered here marvelously. The performances scheduled for May 10, 13, 16, and 20 have been CANCELED.

Si l’on croit l’enthousiasme général à l’issue de cette première représentation, sans même un soupçon de huées, il semblerait que oui. Songs for our Times - Jessica Walker and Joseph Atkins (capture from film by Leon Lopez) Songs of our times ; Jessica Walker, Joe Atkin...Benjamin Fitzgerald Ambedo , a debut EP from composer Benjamin Fitzgerald was released at the weekend, following the release of a single fr...Handel: Lotario - Jorge Navarro Colorado, Jud Perry - Göttingen 2017 We started the week with Unmute , a lovely live concert (albeit with no...Alex Woolf (Photo © ORA Singers) As for many of us, the last few months have been an interesting time for composer Alex Woolf . But neither engages the opera deeply enough to reckon, for example, with just how complicated Gilda’s tragedy is. New York-bound productions of “Don Giovanni” (by Ivo van Hove) and “Rigoletto” (by Bartlett Sher) are premiering in Paris and Berlin.When I think of aging Metropolitan Opera productions that I’ll miss when they’re inevitably replaced, I think of Otto Schenk’s grand “What I won’t miss are “Don Giovanni” and “Rigoletto.”There has always been a touch of the operatic in the theater work of Mr. van Hove, whose style thrives on maximalism even when his settings are austere.
Born in Heist-op-den-Berg, van Hove began his career as a stage director in 1981, working with plays he had written himself such as Ziektekiemen (Germs) and Geruchten (Rumors). (Don Giovanni’s little black book — the subject of Leporello’s famous “Catalog” aria, sung with chilling matter-of-factness by the bass Philippe Sly — is a Moleskine.)Mr.

In this production, Weimar decadence is more of a context than a concept.To be clear, Mr. Sher’s staging is a step up for the Met: ultimately traditional but thoughtfully coherent and at times unexpectedly affecting. Ivo van Hove's Avignon festival production of Les Damnés (The Damned) for the Comédie-Française (which was recently seen to some acclaim in London) featured male and female nudity and implied paedophilia.

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